welcome back, mr. doe
From the novel Monopole [formerly Theodorus in Excelsis] The elevator door slides closed. Teddy looks down to admire his new tuxedo as the elevator begins its ascent. He turns to look out its enormous floor-to-ceiling window. He watches the dark, crowded city disappear beneath him and the cityscape horizon emerge, its tall buildings, endless roadways, and circulatory system of M Trans rails illuminated beneath the night sky. The city’s foggy haze dims the lights in the distan
mid-morning city
A sneak peak at the next draft of Monopole [formerly Theodorus in Excelsis] The mid-morning city passes by. Teddy stares out the van’s small, chalky window at the thin shadow trees—the alternating light-then-dark sidewalk beside the road—and the countless electric-combustion cars and the greenish air they create that obstruct his view. Through the sea of cars and the dirty city, Teddy watches the mono-magnetic M Trans glide through traffic. It is like a metallic dream. #monop
thought 23
Teddy found something in himself it would have been impossible not to find. It is as though what he became, what he would become, was part of him all along. But it’s not like beating you over the head with it is going to make you any more keenly aware of the fact that I didn’t really write anything fiction here, for Teddy and his story. I’ve always been much too narcissistic for anything of that sort. I simply wrote myself into another character’s skin, as it withers and sags
thought 22
The days, as of late, have been filling up more—all the while these words beckoning to me, tugging at my arm, begging me to pursue. Teddy may be in Excelsis, but his existence remains mere fiction of mine, his life my satire. But what then is said of the satirist? How is he to come to terms with the limitations of his dimension? Of the many seasons forever unknowing—looking longingly at the stars, wondering if just to exist is knowing enough—the poet still only pours his hear